| MEMBER COMMENTS ON THIS VIDEO |
| g2mallard@yahoo0com | Apr 4, 2001 @ 9:42:10 |
Almost Famous
Although this was pretty fun to watch, I don't know why. Cameron Crowe seems to think too much of himself to add any grit to the film. And any self-respecting band from the '60s or '70s (or any other decade, I hope) would never be caught dead singing Elton John songs on the bus.
Kate Hudson's pretty cute, though.
| g2mallard@yahoo0com | Apr 4, 2001 @ 9:43:12 |
oh well, whatever
Although this was pretty fun to watch, I don't know why. Cameron Crowe seems to think too much of himself to add any grit to the film. And any self-respecting band from the '60s or '70s (or any other decade, I hope) would never be caught dead singing Elton John songs on the bus.
Kate Hudson's pretty cute, though.
| Kevin Rayburn | Feb 1, 2002 @ 9:31:26 |
Smartest American Comedy Since Bullworth (Almost Famous)
In an era of cruel, cynical and witless comedy, Cameron Crowe is about the closest thing we have to a Preston Sturges. Even when you realize how he's manipulating you, you have to submit because the man knows how to write a deft, smart comedy scene. Almost Famous is his most perfectly realized film so far, although on the whole I might prefer the somewhat rougher-edged charms of an earlier piece, such as "Singles." The ensemble cast here is delightful, the laughs are genuine, the film humane. I don't know the full "back story" of "Almost Famous," and I don't much care. Crowe's life experience does not interest me, but the talent he displays on the screen does. Sometimes Crowe's bag of tricks contains the obvious--ie., his penchant for the ironic quick cut (a character says one thing, does something totally the opposite in the next shot). And yet, it's still funny. In a film that's largely romanticized and ennobling of its loser protagonists, it's not necessary to ladle on the occasional sentimental emotional cues (tinkly piano music to suggest poignancy; the parting scene at the bus station, etc.) But thankfully these are only minor annoyances. If we have to venerate pop culture and push baby boomer buttons yet again in a Hollywood movie, I can't imagine it being done any better than this.
***ALMOST FAMOUS c. 2002 Kevin Rayburn earthgroove1@yahoo.com