远处👙渐渐地透出一条横亘的光带👙有云在远方流动着光彩🪬如此丰富的色彩🐫如此瑰丽的光线💤如此动人的美丽🇦🇬似乎一双无形的手在搅动🇦🇬Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...但是莫千殇从小就具有一颗能够清楚认识自己自身的心🇵🇸从来不会骄傲自大🏍️目空一切🧑这也许是和他独自一人在社会上打拼这么多年的经历有关🈶大概过了十几分钟🧲奔驰停在了一栋写字楼面前🏌️我用地图看了看应该是铜锣湾附近🔘这让我想起了一个叫👇陈浩南🧈的男人👁️何宇不爽的瞅了武剑仁一眼⤵️打断了他的话🇮🇹淡然说道👐🇬🇮武掌门🇰🇬我是谁不重要🙅你可知道张斩风带你到这里来做什么🇹🇲🫀听到何宇问起🤼武剑仁这次终于说不出来🪳只能闭嘴等他解释🤯
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